An electronic pothole along the Internet highway where filmmaker, writer, journalist, photographer, musician, unpublished poet, coffee drinker and ex-New Yorker / Tokyo based Norman England writes whatever the hell he feels like writing. You have been warned.
Monday, August 31, 2009
"It's All Good" on FOX-TV
Sunday, August 30, 2009
Enough Already!

But I get ahead of myself. The movie finally had its "normal" premiere (no subs) on 8/15/09. That day, I caught the morning screening in Shinjuku, which was given the send off by directors Nishimura and Tomomatsu, as well as actors Yukie Kawamura, Eri Otoguro, and Takumi Saito. Of course these are just the high profile people involved in the film, and in the audience were many of us who had worked on the film.
As my friends Yoko and Maki of the singing group Trippi's couldn't make the first screening, I arranged to meet them at Theater N in Shibuya for the next stage introduction by directors and actors. I guess this was my 300th time to see the film...
Afterward, the staff / cast went over to an "izakaya" to celebrate. Drinking, eating, laughing, story telling, silliness... It was the typical after screening party that I've come to enjoy. Takashi Shimizu of The Grudge fame was there, and we both fell pray to the demented (i.e. disturbed) ways of Sayako Nakoshi, who plays the dethroned wrist cut champion in VG. Shimizu fared better than I, as she drew blood from my thumb. Shimizu is also an actor in the film, playing a Chinese language teacher.
Following this the group moved to what the Japanese lovingly refer to as 二次会 or second party. "Machine Girl" director Iguchi waddled in with Aya Kiguchi, the star of his new Robo Geisha film, which I have yet to see, but probably will pass on. His films are too crass even for the likes of me.
The following day (8/16) I went over to Imagica to catch a screening of Shimizu's new 3D film, "The Shock Labyrinth." The film was completed at 1pm that day, and screened for a small group at 6pm. Kind of cutting it close...? While I don't hate 3D and do enjoy it on occasion (like when seeing "Parasite" in the early 80s), I really don't think it much more than a gimmick. But, hell, if someone said they'd finance a 3D film of mine I'd jump on that in no time flat! Still, it was a decent film and Shimizu always has an interesting way to present his story elements. Fortunately for Shimizu, he was less hung over than I from the night before.
Anyway, last night went fine. I had a good time and could relate some of the challenges of putting the subs together, with Marc Walkow of the NY Asian Film Festival relating the impression the film had made on the non-Japanese audience when it had it's first screening in NY last month. Was it last month? Earlier this month? I could look it up on the web... too lazy.
My film "It's All Good" creeps closer to completion. I got the score last week from Kow Otani. As usual, he delivered something truly different. I can't say it's what I was expecting, but it works and adds depth to the entire film. Still so much to do...
Oh yeah... The photo here is me with one of Monami's (Vampire Girl) blood swords. Stupid, cheap digital cameras can't get the focus right on those things in low light...
Sunday, August 9, 2009
Vampire Party
Following this directors Nishimura and Tomomatsu, Frankenstein actress Eri Otoguro, stunt director Tak Sugimoto, and others took the stage in an attempt to talk about the film. But with Nishimura basically talked out when it comes to the film, he was more interested in horsing around, relentlessly teasing Tomomatsu and some of the other staff.
I was also happy that I finally got to put in some one-on-one time with the adorable Eri, who plays the 'evil' Frankenstein actress. She came tonight wearing a yukata, giving the party a pleasant traditional touch. Eri's a charming young woman and delivers a terrific performance in "Vampire Girl."
Somewhere near the end of Kai's performance, Nishimura climbed on stage and started calling some of us back on the stage for a turn on the pole. I was one of the first called upon.
Get it...? "Gave it a whirl." You know, pole dancing... spinning around... whirl...? Ah, forget it!
As the evening was wearing to an end, Nishimura and I demanded that Trippi's get back on stage and sing their theme song to "Vampire Girl" once more. Nishimura set a chair right in front of the stage, while I climbed to the side in front of Yoko. And the crowd went wild!
An hour later the inner core of the night went to a small standing bar around the corner where we continued to while away the evening, drinking, toasting and singing theme songs to 60s anime. Only in Japan.